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El Tango de ayer y hoy: un estudio de la temporalidad y el fraseo musical en el estilo de Aníbal Troilo.

cic.isFulltexttruees
cic.isPeerReviewedtruees
cic.lugarDesarrolloUniversidad Nacional de La Plataes
cic.parentTypeArticulo
cic.versioninfo:eu-repo/semantics/publishedVersiones
dc.date.accessioned2020-04-07T12:49:27Z
dc.date.available2020-04-07T12:49:27Z
dc.identifier.urihttps://digital.cic.gba.gob.ar/handle/11746/10521
dc.titleEl Tango de ayer y hoy: un estudio de la temporalidad y el fraseo musical en el estilo de Aníbal Troilo.es
dc.typeArtículoes
dcterms.abstractMusicology defines the style mainly on the basis of the compositional features; the use of tools for the analysis of the sound signal to study the expressive features in argentine popular music is recently applied. We propose that the musical phrasing in tango performers could focus on the recurrent characteristics of temporal elongation and shortening of rhythmic-melodic patterns embedded in the musical structure. Thus the stylistic identity would be the result of the interaction between the musical properties and the microtiming of such patterns. In this work, we combine musical analysis and temporal microanalysis to examine the individual and joint temporal variability, comparing in the same arrangement, the phrasing of Aníbal Troilo's orchestra with other current orchestras.en
dcterms.alternativeYesterday and today tango music. A study of temporality and musical phrasing in aníbal troilo’s styleen
dcterms.creator.authorAlimenti Bel, Demianes
dcterms.creator.authorMartínez, Isabel Ceciliaes
dcterms.extent151-178es
dcterms.identifier.otherISSN 2683-7145es
dcterms.identifier.urlRecurso onlinees
dcterms.isPartOf.issuevol. 33, no. 1es
dcterms.isPartOf.seriesRevista del Instituto de Investigación Musicológica "Carlos Vega"es
dcterms.issued2019
dcterms.languageEspañoles
dcterms.licenseAtribución-NoComercial 4.0 Internacionales
dcterms.subjectStyleen
dcterms.subjectMelodic Phrasingen
dcterms.subjectTemporal Patternsen
dcterms.subject.materiaArtees

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